13 hours ago Aug. 17, 2014 – 8:00 AM PDT
It sounded like a good idea: fans of cultural figures like Kurt Vonnegut and GI Joe get permission to use theirfavorite characters to create new stories under the umbrella of the Amazon, and everyone gets a cut of the profits. So how did it turn out?
So far the results of the project, known as the Kindle Worlds, Appear lackluster at best. Take the popular series Pretty Little Liars , Which Became Available as an Amazon-licensed fan fiction title lastyear.
In the month of June, 46 authors contributed Pretty Little Liars works to Kindle Worlds, Which sounds like a fair number – Unless you compare it to the more than 6,000 works Such That appeared During this time on two other fan fiction sites.
More Broadly, on One of those sites, FanFiction.net, fans posted 100 new stories every hour across all categories. And Amazon? Its entire output for all 24 “Worlds” of content, Which alsoincludes franchises like Gossip Girl and Vampire Diaries , was just 538 stories over the course of more than a year.
These figures are cited by law professor Rebecca Tushnet into a new paper ‘That explores why the hell licensed content, Which Seems like Such a promising opportunity in the eyes of copyright owners, turns out to be Such a bust in practice .
According To Tushnet, a big part of the problem is the creative limits That brand owners Impose on the Use of Their Work. In the case of G. I. Joe, for instance, the villain can not wear a Yankees cap. Characters in other works can not use drugs or Employ profane language. And gay, bisexual or deviant sexual behavior might be off-limits too.
Amazon overpriced bars writers under 18, who are some of the most prolific creators of fan fiction, from Contributing to Kindle Worlds (likely Because The Law Makes It Difficult to enforce a contract against a minor.)
Add it all up, and the fields of imagination and community in the Kindle Worlds feel the needles next to the rollicking, ribald world of the Purely fan universes. The sanctioned space, it turns out, is just not as much fun as the unofficial ones. One fan fiction enthusiast cited by the paper likens Kindle Worlds to a playground of “five quiet, clean, polite children Carefully playing together while helicopter parents hovered overhead … Whatever Amazon has created There is no life in it.”
For the Amazon and its partners, it will be Difficult to Overcome Such perceptions since the Underlying problem is not just about licensing terms, but something more fundamental: the impossibility of having it both ways, of fostering maximum creativity while wielding maximum legal control. As Tushnet notes, Kindle Worlds ice Hardly The First Time That a licensed model of creativity has come up short: The Music Industry’s imposition of sampling licenses are smothered hip-hop in the 1990′s, while commercial controls eroded the popularity of the early fan fiction universe, Darkover .
Finally, for bothering fans and authors, the Kindle “Worlds” May Be less enticing Because of Their Borders. Stories Created In These worlds can go can only go as far as a Kindle device while, in the unlicensed hell realms, stories travel across the whole internet. In this respect, The Dynamics of Literary communities share much in common with software, where open platforms are routinely more successful than closed ones.
All this does not mean That Amazon was wrong to launch a fan-fiction Environment in the firstplace. The Worlds are Providing a new revenue stream for Established Authors and Their fans, though likely not a big one. For its part, Amazon Appears Eager to press ahead with the experiment.
“Early Response from licensors, writers and readers has been very positive,” Jeff Belle, VP of Amazon Publishing, said by email. “We’re Particularly pleased with the quality of the stories; One of our Most Important metrics ice Customer Reviews, and the 600+ titles we’ve published to date have an average customer rating of more than 4 out of 5 stars. “
Belle did not Disclose any revenue figures , but did state That Amazon intends to keep expanding the program and Adding more Worlds.
Overall, though, readers and writers’ lop-sided preference for the unlicensed realms of fan fiction means it’s Unlikely That Kindle Worlds will ever be a commercial success, or a cultural one either.
Tushnet presented her paper, “All of this has happened before and all of this will happen again: Innovation in Copyright Licensing,” at the IP Scholars Conference, held at Berkeley on August 7-8.
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